Mostrar mensagens com a etiqueta Cristo parou em Eboli. Mostrar todas as mensagens
Mostrar mensagens com a etiqueta Cristo parou em Eboli. Mostrar todas as mensagens

John R. Pepper - "Rome 1969" - Fotografia

ladri di bicicleta, 1969, gelatin silver print, 50 x 60 cm, Ed. 3 ex.

I bambini ci guardano, 1969, gelatin silver print, 50 x 60 cm, Ed. 3 ex.

Rome 1969
Photographs by John R. Pepper

The photographs of John Pepper have a rare capacity to speak to us from silent moments, as though they were returning memories from our earlier lives. In part, the universal appeal of Italy's post-war films, art and literature make the men, women and children in Pepper's photographs close and familiar to us. One after another they appear, in their shadows and silences, emerging from a single, immense human tapestry. The child's face next to the woman eating spun sugar candy (The Children are Watching Us) has the wide-eyed wonder and innocence of Giulietta Messina in Fellini's La Strada or Nights of Cabiria. The old woman holding the ladder (Rossi's Christ Stopped at Eboli) seems to wait for us to return to a lost home or childhood-captured in Obsession, the photograph of boys running in the dark.

We have known these people in passing, yet now they have returned in these black and white photographs. They wait for us to look once more, and for the first time. deep within their shadows and silences, with hidden meanings in our attempts to order and understand our lives.


Cristo si e fermato a Eboli, 1969, gelatin silver print, 50 x 60 cm, Ed. 3 ex

Born in Rome of American parents, John Pepper was educated in the United States and lives in Paris and New York. He was trained as a photographer by Ugo Mulas and his father, Curtis Bill Pepper. But it was at his parents' dinner table that he learned the most, listening to such photographers as Cartier-Bresson, Sam Shaw, John Ross, as they made their way through the family home in the 1960s and 70s. In Pepper's work as a photographer, filmmaker, painter and theater director, the recurring theme is people, and their nature.

ossessione, 1969, gelatin silver print, 50 x 60 cm, Ed. 3 ex.



John R. Pepper

Rome 1969


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Cristo Parou em Eboli - Francesco Rosi

Este é um daqueles filmes que se fixam na nossa memória. Não voltei a ver Cristo Parou em Eboli desde a sua estreia, mas as imagens, pela sua imensa força, permanecem com toda a beleza e crueldade. Filme baseado no livro homonimo, publicado em 1945 de Carlo Levi (1902 – 1975). O autor, judeu italiano, foi pintor, escritor, activista, anti-fascista e médico

Realização: Francesco Rosi - 1979 (França, Itália)
Duração: 150 min. / cor
Título Original: Cristo si è Fermato a Eboli
Interpretação: Lea Massari, Alain Cuny, Paolo Bonacelli, Irene Papas, Gian Maria Volontè, François Simon, Luigi Infantino, Francesco Callari, Antonio Allocca, Enzo Vitale
Sinopse: Itália, 1935. O fascismo reina absoluto. Para fugir deste clima de terror, Carlo Levi, pintor e intelectual, decide refugiar-se num lugar isolado no Sul da Itália, onde gente simples luta arduamente para sobreviver. O convivio com essa vida sofrida dá ao intelectual outa prespectiva acerca da sabedoria camponesa.

Cristo si è fermato a Eboli - 1979